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Vinyl Schallplatten und CDs aus dem Bereich U - PUNK / HARDCORE / WAVE bei Hafenschlammrekords günstig online kaufen
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U.S. BOMBS |
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Alive |
LP Vinyl |
14,00 € |
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Allerfeinster 77 in 99 Punk Rock, der problemlos in der gleichen Liga spielt wie die Stitches, Humpers, .... Auch der sehr Sex Pistols mässige Sound der Never mind the opened minds (ist ja schliesslich auch ein Konzeptalbum) kommt auf den anderen lps deutlich durch - das ist einfach straight rockend, rotzig und geil! |
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U.S. Bombs |
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People Like Us |
LP Vinyl |
13,90 € |
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NEU & VERSCHWEISST |
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Udo Moll / Sebastian Gramss / Elliot Sharp |
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Wergo |
CD |
17,00 € |
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Catalogue of Improvisation
composer: Sebastian Gramss - Udo Moll - Matthias Muche
interpreter: Maria de Alvear - Sidsel Endresen - Sebastian Gramss - Wolfgang Mitterer - Udo Moll - Matthias Muche - Elliott Sharp - John Tilbury
booklet writer: Raoul Mörchen
orchestra/ensemble: Institut für Feinmotorik
Udo Moll: trumpet, harmonium, electronics / Sebastian Gramss: double bass / Matthias Muche: trombone / Maria de Alvear: voice / John Tilbury: piano / Elliott Sharp: guitar clarinet / Wolfgang Mitterer: organ, electronics / Sidsel Endresen: voice / Institut für Feinmotorik (Marc Matter, Florian Meyer, Daniel van den Eijkel): turntables
“Das mollsche Gesetz” (English: Moll’s Law) was established in the summer of 2004 as an improvisational research project. Two significant laws have been applied to the work:
1) No piece lasts longer than 60 seconds
2) Each piece is followed by a break of the same length (as the piece itself …)
These simple yet radical rules change to a profound extent the way that music is created, but also how it is perceived by the audience. On stage the format requires the greatest possible degree of clarity and precision as well as quick decision making. In the auditorium it requires focusing on the moment (the perceived present lasts 30 seconds) and increases the likelihood of becoming unnerved, thus resulting in a sharpening of the senses. The breaks invite the audience to shift its focus from finite to infinite and they serve as resonance space in time.
Following the headline „Catalogue of Improvisation“, Das mollsche Gesetz arranged a 6-part concert series in 2007. The basic idea was to give the audience the possibility to experience six quite diverse approaches towards improvisation in music. Thanks to the constant aesthetic factor represented by "Das mollsche Gesetz", the individual approaches of the guests are provided with a clear framework which makes them comparable with insight. Additionally, for each concert the basic parameters of improvisation, such as time structure for sound and silence, choice of material etc, are negotiated anew with the guest of the evening. The guests represent very diverse genres of current musical activities: experimental minimal-techno (Institut für Feinmotorik), New York Downtown-Avantgarde (Elliott Sharp), contemporary music (Tilbury, De Alvear, Mitterer), media arts (Negron/Orozco) and avant-garde Scandinavian vocal experiments (Endresen). This variety is complemented by "Das mollsche Gesetz" with its clear conceptual framework. The audience experiences the creation of music at its origin. By revealing the most important parameters, "Das mollsche Gesetz" creates an additional intellectual excitement to follow the course of the sounds.
Integral part of the “Catalogue” is a documentation which consists of a lavishly designed catalogue with CD.
All concerts were accompanied by the internationally renowned photographer Philip Lethen and the music journalist Raoul Mörchen, who contributed photos and essays for the catalogue. All concerts were meticulously recorded; the highlights are published on this CD.
Content:
komitzu
NYMS pt4 - tsuki no monogurui
klehafter
hatsugatsuo
NYMS pt8
convatten
Bascha
yozakura
daikan
Manti
miham
krakuz
Blini
surfaces 4
tal para qual
Watrushki
automi
Kwaß
tarant
liwu
asta su abuelo
smorga
shijo noryo
que viene el coco
Schtschi
Bitki Po
funeasobi
hilan delgado
signi
Blintschiki
tasogare no zu
weii |
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Ufo Or Die |
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Skin Graft |
7\ Vinyl |
7,90 € |
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NEW |
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UK Subs / Swingin' Utters |
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Split Vision |
7'' Vinyl |
8,00 € |
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UNFUG |
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Klartext records |
10'' Vinyl |
10,00 € |
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DIE JUNGS SPIELEN `NE GEILE MISCHUNG AUS HATECORE UND PUNK, DER VOLL IN DIE FRESSE KNALLT! MIT DEUTSCHEN UND ENGLISCHEN TEXTEN. ERSTAUFLAGE KOMMT IM FARBIGEN VINYL UND MIT A3 |
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UNHINGED |
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Nabate |
CD |
12,00 € |
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UNKIND |
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Combat Rock |
LP Vinyl |
12,00 € |
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UnkleJam |
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Virgin |
2x 7" Set Vinyl |
7,25 € |
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incl LO-FI-FNK Remix und picture 7" NEW |
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UNKNOWN |
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Boss Tuneage |
CD |
12,00 € |
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UNKNOWN |
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Jiffi Pop |
CD |
12,00 € |
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Unsane |
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Ipecac |
LP Vinyl |
16,00 € |
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NEW toll aufgemacht! |
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URRKE T & THE MIDLIFE CRISIS |
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Bootleg Booze |
7'' Vinyl |
5,00 € |
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Members of Hellacopters, Backyard Babies, Maggots and Maryslim declare their love to late classic 70s punkrock. And I must confess this Stockholm project succeed with these superb covers of ''The American In Me'' (The Avengers), ''Center Of Lies'' (Warheads) and The Users' ''Sick Of You''. The last song is probably my fave on the ''Killed By Death vol. 1'' comp, and these Swedes totally do justice to the track. Of course the production is slicker, there's now a twin guitar attack, but the essence is kept intact. |
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USE TO ABUSE |
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Cold Sweat Records |
7'' Vinyl |
4,00 € |
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Orange Vinyl |
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USEFUL IDIOT |
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Sacro Egosimo |
7'' Vinyl |
4,00 € |
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USELESS I.D. |
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YoYo |
LP Vinyl |
10,00 € |
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Useless Playsboys, The |
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Man\'s Ruin |
Picture 7\ Vinyl |
8,00 € |
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MR002 !! RARE |
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Uton |
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Dekorder |
LP Vinyl |
14,00 € |
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NEW SEALED LTD 500
"ALITAJU YLIMINA" IS THE FIRST VINYL ALBUM BY FINLAND'S UTON RELEASED IN A STRICTLY LIMITED EDITION OF 500 COPIES IN A MARVELLOUS FOLD-OUT SLEEVE WITH A FULL-COLOUR DRAWING BY UTON HIMSELF ON THE OUTER SLEEVE AND SOME FIERCE BLACK&WHITE ILLUSTRATIONS BY DUTCH ARTIST CHRISTELLE GUALDI INSIDE.
UTON IS THE ONE-MAN PROJECT OF JANI HIRVONEN ORIGINALLY HAILING FROM TAMPERE AND CURRENTLY TRAVELLING AND RECORDING IN INDIA. HIRVONEN IS ONE OF THE MOST ACTIVE MUSICIANS OF THE FINNISH UNDERGROUND SCENE THAT HAS RECENTLY PRESENTED US THE LIKES OF KUUPUU, KEMIALLISET YSTÄVÄT, ISLAJA, PAAVOHARJU AND LAU NAU AND A SEEMINGLY NEVER-ENDING STREAM OF BEAUTIFUL AND HIGHLY ORIGINAL RECORD RELEASES.
THE MUSIC OF UTON IS NO EXCEPTION THERE, DRAWING INSPIRATIONS FROM PSYCHEDELIA TO FREE JAZZ TO PURE ECSTATIC DRONES AND NOISES USING A WIDE RANGE OF ACOUSTIC INSTRUMENTS FROM VARIOUS PARTS OF THE GLOBE AND A BULK OF ELECTRONICS. RECORDED IN GLORIOUS LO-FI THE MYSTERY OF HIRVONEN’S SOUND IS DIFFICULT TO PINPOINT; SHEER RAVISHING BEAUTY, ELEGANCY AND VARIEGATION IS STASHED BEHIND A WALL OF GREY, INSCRUTABLE HAZE – GORGEOUS MELODIES AND VOICES, REEDS AND ALIEN SOUNDS GLEAMING THROUGH THE MIST FROM TIME TO TIME, SHIMMERING LIKE DIAMONDS THROUGH LAYERS OF DUST.
UTON HAS PREVIOUSLY RELEASED DOZENS OF CD’S, CD-R'S AND CASSETTES ON A MYRIAD OF LABELS INCLUDING JEWELLED ANTLER, PSEUDO ARCANA, LAST VISIBLE DOG, DIGITALIS AND HIS OWN IKUISUUS. HE HAS COLLABORATED WITH AMON DUDE (AVARUS), ANLA COURTIS (REYNOLS), ANTONY MILTON (BLACK BONED ANGEL), BEN REYNOLDS, PETER WRIGHT, PHIL TODD (ASHTRAY NAVIGATIONS) AND JAN ANDERZEN (TOMUTONTTU, KEMIALLISET YSTÄVÄT) AMONG OTHERS. THE LATTER COLLABORATION (UNDER THE HEVOSET MONIKER) WILL BE RELEASED ON LP BY DEKORDER LATER THIS YEAR. |
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