Vinyl Schallplatten und CDs aus dem Bereich B - OBSKURES bei Hafenschlammrekords günstig online kaufen

Artist	Title	Label	Format	Price
Beat Konducta - Madlib	Vol. 3: Beat Konducta In India	Stones Throw	LP Vinyl	15,00 €
	madlib der tausendsassa mit india breaks...wahnsinn....
Beat Konducta - Madlib	Vol. 4: Beat Konducta In India	Stones Throw	LP Vinyl	15,00 €
	madlib der tausendsassa mit india breaks...wahnsinn....
Beatles	Yesterday and Today	Capitol	LP Vinyl	16,00 €
	Mit dem zensierten Cover! Reissue
Beck	Sissyneck	Geffen	MCD	4,00 €
	3 Tracks 1997 TOP!
Beck Mashup Panzah Zadahz	you (cell) must (phone´s) learn (dead)	Token Recluse	7 Vinyl	9,00 €
	+ diamond (hollywood) district (freaks) PROMO ONLY LTD 500
Beirut	Gulag Orchestar	4AD	2 CD	15,55 €
	NEU VERSCHWEISST incl BONUSCD
Bela B. & Tikiwolves, The feat Gary O Wolf	You ll Never Walk Alone	Bitzcore	12" LTD BROWN WAX Vinyl	19,90 €
	letzte limitierte Exemplare in PAULI BROWN! Bela B. the drummer of Germanys biggest Punk Band Die Ärzte on his own. For the legendary Football club FC St. Pauli he recorded this stadium anthem.
Bela B. & Tikiwolves, The feat Gary O Wolf	You ll Never Walk Alone	Bitzcore	CD	13,90 €
	letzte! TOP Bela B. the drummer of Germanys biggest Punk Band Die Ärzte on his own. For the legendary Football club FC St. Pauli he recorded this stadium anthem.
Benjy Ferree	Leaving The Nest	Domino	LP Vinyl	15,00 €
	2/2007 Tolle LP Tolle Aufmachung! Benjy Ferree ist ein moderner Robin Hood, der die Inspirationen für seine schräg taumelnden Folk-Rock-Songs aus der Filmwelt entnimmt und diese den unterdrückten Abhängigen des Formatsounds auf diese Weise wiedergibt. Zu dieser These reizt natürlich das Cover, das den Mann aus Maryland, der seine prägenden Jahre als Au Pair u.a. für David Lynch in Hollywood verbrachte, sich musikalisch aber eher der Westküste und dem Süden verbunden fühlt, als grünbekappten Outlaw zeigt. Irgendwo passt das aber, denn Ferree mixt munter verschiedenste Zutaten in seine Songs, die er dann - mit Streichern, Bläsern und je einer Prise Country und Led Zep-Rock angereichert - unters Volk bringt. Als Filmfan und gescheiterter Filmstar tut Ferree das auf eine bemerkenswert anschauliche, greifbare Weise. Das Ferrees technische Fähigkeiten dabei überschaubar bleiben, hat Ferrees Kumpel Produzent Brendan Canty (Fugazi) als altes Indie-Schlitzohr in der üblichen Weise als Pluspunkt zu nutzen gewusst, indem er sich gar nicht erst bemühte, Ordnung ins Geschehen zu bringen, was zu einer sympathischen, torkelnden Schrammelorgie führte. Benjy Ferree ist der neue Held des ungeraden Indie-Songs.
Benjy Ferree	Leaving The Nest	Domino	CD	14,00 €
	2/2007 Tolle CD Benjy Ferree ist ein moderner Robin Hood, der die Inspirationen für seine schräg taumelnden Folk-Rock-Songs aus der Filmwelt entnimmt und diese den unterdrückten Abhängigen des Formatsounds auf diese Weise wiedergibt. Zu dieser These reizt natürlich das Cover, das den Mann aus Maryland, der seine prägenden Jahre als Au Pair u.a. für David Lynch in Hollywood verbrachte, sich musikalisch aber eher der Westküste und dem Süden verbunden fühlt, als grünbekappten Outlaw zeigt. Irgendwo passt das aber, denn Ferree mixt munter verschiedenste Zutaten in seine Songs, die er dann - mit Streichern, Bläsern und je einer Prise Country und Led Zep-Rock angereichert - unters Volk bringt. Als Filmfan und gescheiterter Filmstar tut Ferree das auf eine bemerkenswert anschauliche, greifbare Weise. Das Ferrees technische Fähigkeiten dabei überschaubar bleiben, hat Ferrees Kumpel Produzent Brendan Canty (Fugazi) als altes Indie-Schlitzohr in der üblichen Weise als Pluspunkt zu nutzen gewusst, indem er sich gar nicht erst bemühte, Ordnung ins Geschehen zu bringen, was zu einer sympathischen, torkelnden Schrammelorgie führte. Benjy Ferree ist der neue Held des ungeraden Indie-Songs.
Berry Lipman Band	Go Hits Go	Hörzu	LP Vinyl	9,00 €
	M-/VG WOC
Betty Page	Danger Girl - Burlesque Music	QDK	Lp	16,95 €
	NEW
Big Sir	Und Die Scheisse Ändert Sich Immer	GSL	LP Vinyl	14,50 €
	Die Hauptfiguren hinter BIG SIR sind Juan Alderete de la Pena (Bassist von THE MARS VOLTA) und die, nicht zuletzt durch AIR und M83 bekannte Sängerin Lisa Papineau. In ihrer gemeinsamen Zeit bei PET stellten sie ihre Liebe zur flüssigen Seite des Rock'n'Roll fest und BIG SIR wurde aus der Taufe gehoben. Auf "Und Die Scheiße Ändert Sich Immer" gibt es wieder eine schräge Mischung aus Pop und Jazz Grooves mit freundlicher Unterstützung von Money Mark (BEASTIE BOYS), dem Multiinstrumentalisten Adrian Terrazas Gonzales (THE MARS VOLTA), Jonathan Hischke (HELLA) am Bass und vereinzelter Produktion von Mickey P. (PEACHES, BECK).
Bill Wells & Maher Shalal Hash Baz	Osaka Bridge	Karaoke Kalk	CD	15,90 €
	Restexemplare
Billing, Johanna	Original Film Soundtracks	Apparent Extent	12 Vinyl	8,50 €
	Two Songs! ORIGINAL FILM SOUNDTRACKS documents the music of two video works by Johanna Billing from Stockholm, Sweden. We saw Johanna\'s videos screened in a gallery in Frankfurt. Loved it. And here it is. Originally composed by legendary Roky Erickson YOU DON\'T LOVE ME YET starts slow around a synth drone and a fragile violin, builds up slowly with more acoustic and electric instruments and voices to finally end in a massive endless pop hymn with roaring orchestra arrangements and blue eyed gospel choir. YOU DON\'T LOVE ME YET is a 9 minute anthem recorded by friends and musicians from Stockholm at Atlantis Studio (ABBA recorded here in the 70\'s says the history book). Johanna had the idea for this piece, when she heard on public radio that Sweden has the highest number of single households worldwide. YOU DON\'T LOVE ME YET toured as a \'coversong festival\' throughout Sweden and Norway and became a phenomenon in it\'s own right. Imagine your local music scene shows up and performs nothing but YOU DON\'T LOVE ME YET. Besides those held in Scandinavia YOU DON\'T LOVE ME YET happenings took place in San Francisco, Chicago, London and around the Netherlands. MAGICAL WORLD documents a group of children from Zagreb, Croatia performing this pop masterpiece, originally written for the Chicago vocal group \"The Rotary Connection\" in the summer of love. This very mixed vocal pop ensemble with the outstanding voice of Minnie Ripperton in lead is in Billings version replaced by a group of very concentrated and very earnest kids, singing: \"Why do you wake me up / From such a beautiful dream / Can\'t you see that I am sleeping / So why / don\'t you leave me alone /... / I live in a magical world.\"
Birdy Nam Nam	Live	dISCOGRAPH	CD + DVD	18,50 €
	Süecial Version....wirkt mit bildspur echt viel grasser!
Black Devil Disco Club	Black Devil In Dub	Lo-Recordings	LP Vinyl	16,50 €
	new
Black Dice	Roll up	Paw Tracks	EP	11,50 €
	Sealed with Poster
Blind Lemon Jefferson	Volume 1	Monogram	LP Vinyl	14,50 €
	Reissue. Liebevolle Pressung mit Textsheet!
Blind Lemon Jefferson	Volume 2	Monogram	LP Vinyl	14,00 €
	Reissue. Liebevolle Pressung mit Textsheet!
Blind Lemon Jefferson	Volume 3	Monogram	LP Vinyl	14,00 €
	Reissue. Liebevolle Pressung mit Textsheet!
Bloodysnowman V. A.	Bloody Buddies	Daly City	CD	15,00 €
	Breakcore
Bob Crewe Generation, The	Barbarella (Motion Picture Soundtrack)	Dynavoice	LP Vinyl	15,00 €
	Sealed
Bob Marley & The Wailers	Babylon By Nus	Yugoton / Island	2-LP Vinyl	7,50 €
	Gimmick Cover beschädigt! Gut erhalten aber!
Bobb Trimble	Harvest of Dreams	Secretly Canadian	LP Vinyl	15,00 €
	Sealed pitchfork said: Most serious music fans have a fantasy in their minds wherein they discover a lost masterpiece that no one else seems to know about. There are certainly plenty of them out there to be found-- most music fails to get even decent distribution, things are marooned in home countries with tiny populations, and sometimes records are just overlooked or misunderstood in their day. If you were to stumble across them in a dusty old crate, it would be tempting to trumpet Bobb Trimble\\\'s two albums as lost masterpieces, and to a certain kind of music fan they are, but to most people they will play more as interesting, occasionally superb curiosities. Trimble hailed from Marborough, Mass., and was part of nearby Worcester\\\'s late-1970s/early-80s \\\"Wormtown\\\" scene, which comprised mostly punk bands who played very different music from what he was trying to do. Loosely, Trimble falls in the psychedelic loner category of American fringe music, alongside guys like Rick Saucedo, D.R. Hooker, and Faine Jade. He wrote melodic songs and had a high, pinched, somewhat feminine voice that gives his work an almost alien quality, especially given the way it fits into the haunting atmosphere of his compositions. Though he was essentially making what constituted pop music in his head (but wouldn\\\'t in most people\\\'s minds), he seemed to have a grasp of his inevitable outsider status. Case in point: his first album cover featured a cheap studio shot of him in front of a microphone, holding a Gibson SG guitar with the pick guard removed and a Thompson submachine gun. Iron Curtain Innocence is an imaginative debut sprinkled with a few excellent songs and a number of interesting sonic combinations. It\\\'s not brilliant, but it is strangely captivating. Trimble\\\'s drumming was rudimentary at best, which means most of the songs are smeared across the tape at very slow tempos. His guitar playing, on the other hand, was quite good, and he wrote unique chord progressions that heightened the sense of nervousness and lurking danger of his songs. His voice was his other great musical asset, and he did everything he could think to do with it-- harmonizing his melodies, layering himself in the background, trying out various primitive processing methods, and generally using it as a mood engine to crank up the level of paranoia already suggested by the rest of the music. Bits of craggy Moog and fuzz guitar pop up here and there, as do dollops of xylophone, backwards masking, and all manner of sound effects, from radio transmissions to cars starting. The real gems from the debut album are the fuzzed-out psych march \\\"When the Raven Calls\\\", and \\\"One Mile From Heaven\\\", a gentle, mostly acoustic song with a beautiful chorus that showcases his falsetto at its best. Trimble\\\'s second album, 1982\\\'s aptly named Harvest of Dreams, uses many of the same musical elements as the first, but the songs are a bit stronger and his grasp of atmosphere had developed considerably. That didn\\\'t stop him from including \\\"Oh Baby\\\", a bizarre track featuring Trimble and the Kidds, a band of pre-adolescent children he briefly fronted. Half the track is backward, and the part that\\\'s played forward is hardly any less odd, with its kid vocals and shaky drums. Highlights on Harvest of Dreams include \\\"Premonitions: the Fantasy\\\", which features his doubled falsetto and sounds like a lost Big Star or Chris Bell solo session with a bit of recorder and harmonica added on, and \\\"Armour of the Shroud\\\", a dark song cut through with dial tones and cold xylophone phrases. The guitar is processed to sound almost like a vacuum cleaner at certain points, and the vocals wander in and out of processing as Trimble calls for \\\"God [to] save the dreamers.\\\" It\\\'s dark and implacably weird, but Trimble is so obviously earnest and working toward a vision on these recordings that you can\\\'t help coming away charmed. Judging by the demos tacked on to the end of the disc, Trimble was only getting better at his craft when he hung it up, ensuring that his albums would pass into legend for psychedelic and outsider music fans, changing hands for grotesque sums of money. Secretly Canadian has solved that now by bringing them back to life. They\\\'ve colorized the album covers, rescued the sound with a solid remastering job, and included a few extras (calling them rarities would just be redundant) from Trimble\\\'s stash of unreleased tapes. These records are not for everyone, but if you gravitate toward the eccentrics and misfits of music, they\\\'re certainly something you should hear. -Joe Tangari, November 29, 2007
Bobb Trimble	Iron Curtain Innocence	Secretly Canadian	LP Vinyl	15,00 €
	Sealed pitchfork said: Most serious music fans have a fantasy in their minds wherein they discover a lost masterpiece that no one else seems to know about. There are certainly plenty of them out there to be found-- most music fails to get even decent distribution, things are marooned in home countries with tiny populations, and sometimes records are just overlooked or misunderstood in their day. If you were to stumble across them in a dusty old crate, it would be tempting to trumpet Bobb Trimble\\\'s two albums as lost masterpieces, and to a certain kind of music fan they are, but to most people they will play more as interesting, occasionally superb curiosities. Trimble hailed from Marborough, Mass., and was part of nearby Worcester\\\'s late-1970s/early-80s \\\"Wormtown\\\" scene, which comprised mostly punk bands who played very different music from what he was trying to do. Loosely, Trimble falls in the psychedelic loner category of American fringe music, alongside guys like Rick Saucedo, D.R. Hooker, and Faine Jade. He wrote melodic songs and had a high, pinched, somewhat feminine voice that gives his work an almost alien quality, especially given the way it fits into the haunting atmosphere of his compositions. Though he was essentially making what constituted pop music in his head (but wouldn\\\'t in most people\\\'s minds), he seemed to have a grasp of his inevitable outsider status. Case in point: his first album cover featured a cheap studio shot of him in front of a microphone, holding a Gibson SG guitar with the pick guard removed and a Thompson submachine gun. Iron Curtain Innocence is an imaginative debut sprinkled with a few excellent songs and a number of interesting sonic combinations. It\\\'s not brilliant, but it is strangely captivating. Trimble\\\'s drumming was rudimentary at best, which means most of the songs are smeared across the tape at very slow tempos. His guitar playing, on the other hand, was quite good, and he wrote unique chord progressions that heightened the sense of nervousness and lurking danger of his songs. His voice was his other great musical asset, and he did everything he could think to do with it-- harmonizing his melodies, layering himself in the background, trying out various primitive processing methods, and generally using it as a mood engine to crank up the level of paranoia already suggested by the rest of the music. Bits of craggy Moog and fuzz guitar pop up here and there, as do dollops of xylophone, backwards masking, and all manner of sound effects, from radio transmissions to cars starting. The real gems from the debut album are the fuzzed-out psych march \\\"When the Raven Calls\\\", and \\\"One Mile From Heaven\\\", a gentle, mostly acoustic song with a beautiful chorus that showcases his falsetto at its best. Trimble\\\'s second album, 1982\\\'s aptly named Harvest of Dreams, uses many of the same musical elements as the first, but the songs are a bit stronger and his grasp of atmosphere had developed considerably. That didn\\\'t stop him from including \\\"Oh Baby\\\", a bizarre track featuring Trimble and the Kidds, a band of pre-adolescent children he briefly fronted. Half the track is backward, and the part that\\\'s played forward is hardly any less odd, with its kid vocals and shaky drums. Highlights on Harvest of Dreams include \\\"Premonitions: the Fantasy\\\", which features his doubled falsetto and sounds like a lost Big Star or Chris Bell solo session with a bit of recorder and harmonica added on, and \\\"Armour of the Shroud\\\", a dark song cut through with dial tones and cold xylophone phrases. The guitar is processed to sound almost like a vacuum cleaner at certain points, and the vocals wander in and out of processing as Trimble calls for \\\"God [to] save the dreamers.\\\" It\\\'s dark and implacably weird, but Trimble is so obviously earnest and working toward a vision on these recordings that you can\\\'t help coming away charmed. Judging by the demos tacked on to the end of the disc, Trimble was only getting better at his craft when he hung it up, ensuring that his albums would pass into legend for psychedelic and outsider music fans, changing hands for grotesque sums of money. Secretly Canadian has solved that now by bringing them back to life. They\\\'ve colorized the album covers, rescued the sound with a solid remastering job, and included a few extras (calling them rarities would just be redundant) from Trimble\\\'s stash of unreleased tapes. These records are not for everyone, but if you gravitate toward the eccentrics and misfits of music, they\\\'re certainly something you should hear. -Joe Tangari, November 29, 2007
Bobby Conn & The Glass Gypsies	The Homeland	Thrill Jockey	LP Vinyl	15,00 €
	Von White Soul und Easy Listening über Glam- und Hardrock bis zum Jesus-Musical – Bobby Conn strickt alles zusammen. US-Import, verschweißt!
Bomb The Bass	Unknown Territory	Rhythm King Records	2-LP Vinyl	12,90 €
	Minimal Elektro Synth Orig 1991 Gatefoldcover Top erhalten!
Bongwater	Rutles Highway Revisited	Shimmy Disc	LP Vinyl	tba
Boris / Sunn o)))	Altar	Southern	3-LP Deluxe Vinyl	ask
	verschweisst>>> ALLE FARBEN LIEFERBAR!! anfragen! all colors available! ask for!
Boy Group, The	Big Bottom / Mathematically	Enduro Fantasy Enforcement 2005	7'' Vinyl	6,00 €
Bracken	We Know About The Need	Anticon	LP Vinyl	12,90 €
	NEW SEALED! Seine eigenliche Band - Hood - ist uns hier schon öfter über den Weg gelaufen. Mit Bracken hat Chris Adams ein weiteres Projekt am Start. \"Heathens\" heißt das Debüt und das dürfen nicht nur Hood-Anhänger hören. Mit Folk hat das Ganze nicht mehr viel zu tun, Adams - laut eigener Aussage von Krautrock-Bands beeinflusst - widmet sich hier ganz den künstlichen Klängen, vereint Ambient, Elektronik und TripHop und bringt uns damit zum Lauschen, Träumen und irgendwie auch zum Tanzen. Denn auch wenn die Songs meist langsam bis träge aus den Boxen plätschern, der Beat ist da, der Weg in die Beine und ins Herz werden gefunden. Schnell aber breiten sich die Atmosphäre und die Dunkelheit aus, zum Schwitzen wird hier niemand gebracht. Dafür sind Tracks wie \"Safe Safe Safe\" oder \"Evil Teeth\" zu depressiv, zu schwermütig. Weil sie aber gleichzeitig auch noch ungemein ausgefeilt, verspielt, manchmal tatsächlich sogar eingängig und eigentlich immer schlicht schön sind, ist Chris Adams ein kleines Kunststück gelungen. Das Künststück der fröhlichen Traurigkeit.
Bracken	We Know About The Need	Anticon	CD	12,90 €
	NEW SEALED! Seine eigenliche Band - Hood - ist uns hier schon öfter über den Weg gelaufen. Mit Bracken hat Chris Adams ein weiteres Projekt am Start. \"Heathens\" heißt das Debüt und das dürfen nicht nur Hood-Anhänger hören. Mit Folk hat das Ganze nicht mehr viel zu tun, Adams - laut eigener Aussage von Krautrock-Bands beeinflusst - widmet sich hier ganz den künstlichen Klängen, vereint Ambient, Elektronik und TripHop und bringt uns damit zum Lauschen, Träumen und irgendwie auch zum Tanzen. Denn auch wenn die Songs meist langsam bis träge aus den Boxen plätschern, der Beat ist da, der Weg in die Beine und ins Herz werden gefunden. Schnell aber breiten sich die Atmosphäre und die Dunkelheit aus, zum Schwitzen wird hier niemand gebracht. Dafür sind Tracks wie \"Safe Safe Safe\" oder \"Evil Teeth\" zu depressiv, zu schwermütig. Weil sie aber gleichzeitig auch noch ungemein ausgefeilt, verspielt, manchmal tatsächlich sogar eingängig und eigentlich immer schlicht schön sind, ist Chris Adams ein kleines Kunststück gelungen. Das Künststück der fröhlichen Traurigkeit.
Brain Donor	Drain´d Boner	Invada	LP Vinyl	20,90 €
	Blaues Vinyl Gatefoldcover, fett aufgemacht! Nach drei Jahren der Funkstille melden sich BRAIN DONOR aus Mittelengland wieder an der Front. \"Drain\'d Boner\" sind fünf Tracks, die sich zügellos dem Sludge hingeben und gleichzeitig Post Punk, No Wave und Free Proto Metal auf brutalste Weise miteinander verquirlen. \"Drain\'d Boner\" ist das akutische Äquivalent von koffeingedopten Elefantenbabies, die in öligen Pfützen vor einer sowjetischen Chemiefabrik spielen. Aber halt, keine voreiligen Schlüsse! \"Drain\'d Boner\" ist kein Heavy Metal. Auch nicht der vertrackte Garagerock, den man sonst von BRAIN DONOR gewohnt war. Was hier kommt, ist neu, lässt einen nicht mehr aus den Fängen und ist der einzige (und nachdrückliche) Beweis dafür, dass BRAIN DONOR noch immer existieren! Julian Cope + 2 Members of Spiritualized
Brain Donor	Drain´d Boner	Invada	LP Vinyl	20,90 €
	Blaues Vinyl Gatefoldcover, fett aufgemacht! Nach drei Jahren der Funkstille melden sich BRAIN DONOR aus Mittelengland wieder an der Front. \"Drain\'d Boner\" sind fünf Tracks, die sich zügellos dem Sludge hingeben und gleichzeitig Post Punk, No Wave und Free Proto Metal auf brutalste Weise miteinander verquirlen. \"Drain\'d Boner\" ist das akutische Äquivalent von koffeingedopten Elefantenbabies, die in öligen Pfützen vor einer sowjetischen Chemiefabrik spielen. Aber halt, keine voreiligen Schlüsse! \"Drain\'d Boner\" ist kein Heavy Metal. Auch nicht der vertrackte Garagerock, den man sonst von BRAIN DONOR gewohnt war. Was hier kommt, ist neu, lässt einen nicht mehr aus den Fängen und ist der einzige (und nachdrückliche) Beweis dafür, dass BRAIN DONOR noch immer existieren! Julian Cope + 2 Members of Spiritualized
Bugskull	Distracted Snowflakes	DARLA / Pop Secret	LP Vinyl	16,00 €
	NEW
BulBul	3	Trost	CD	12,90 €
	Sealed trost084